Fluent Essays

Need help with Art Assignment 10/19/21, 8:42 AM Architecture: Building as Symbol https://coastdistrict.instructure.com/courses/86967/assignments/1594085 1/2 Architecture: Building as Symbol Due Sunday by 11:59pm Points 30 Submitting a text entry box, a media recording, or a file upload Start Assignment Architecture is more than just a building or structure that provides shelter. Buildings are also symbolic forms and can express a set of values or shared cultural beliefs. For example, the physical characteristics of a Mosque, like its minarets and mihrab, communicate and embody aspects of Islamic belief. Instructions: 1. Identify a building in your immediate environment, one that you frequent: a restaurant, store, place of worship, house, museum, stadium etc. 2. In a paragraph (5-6 sentences), analyze the building in terms of its symbolic meaning: First, consider the buildings form. What materials is it made of? What is the shape of the building. Is it made up of particular colors? Does it have a specific location or orientation? etc. Then, describe how the physical characteristics of the building reflect a set of values, beliefs, or a shared cultural attitude. For example, if you were to describe the local Starbucks, you might identify the drive thru as an important physical characteristic of the building. Perhaps the building itself was located and oriented in such a way to efficiently accommodate a drive thru. What might this important feature say about the people that inhabit or use this building? One possible answer might be: the drive thru feature emphasizes the value that modern society puts on speed. People want to quickly get their coffee, perhaps before going to work or during a break, without having to ever leave their car. It also reflects the importance of the automobile in modern society especially in Southern California, a place itself built around the automobile. 3. Include an image of the building that you are analyzing. This can be an image found online or from Google Maps (https://www.google.com/maps) street view. 4. Finally, draw a connection between one aspect of the building with an architectural feature or method that was described in Chapter 13 - Architecture. For example, The Starbucks building below seems to be structured into three segments similar to a Greek column. The dark-brown roof, the light-brown walls and the medium-brown base. The dark-brown roof resembles the capital of a Greek column. It has a basic geometric design similar to the Doric order.  https://www.google.com/maps 10/19/21, 8:42 AM Architecture: Building as Symbol https://coastdistrict.instructure.com/courses/86967/assignments/1594085 2/2 Total Points: 30 Architecture: Building as Symbol Rubric Criteria Ratings Pts 5 pts 20 pts 5 pts Include an image of a local building. 5 pts Full Marks 0 pts No Marks Describe symbolism linked to specific architectural features. 20 pts Full Marks 0 pts No Marks  Demonstrate understanding and appreciation for the visual and performing arts threshold: 3.0 pts 5 pts Exceeds Expectations 3 pts Meets Expectations 0 pts Does Not Meet Expectations  Introduction to Art Chapter 13: Architecture 130 Chapter 13: Architecture Architecture is the art and science of designing structures and spaces for human use. Architectural design in itself is an art form realized through considerations of spatial design and aesthetics. Related to sculpture, architecture creates three-dimensional objects that occupy a given space and create a visual relationship with the space around them. The differences between sculpture and architecture are in their scale and utility. Early human structures provided shelter from the elements. As hunter-gatherer societies transitioned to farming, they made more permanent shelters, eventually formed communities, towns and cities. For thousands of years, architecture reflected the specific environment and materials available in any given region, including rock caves or huts of wood, soil and brick. Many were assemblages of materials like grasses, leaves and animal hides. Nomadic peoples still utilize these materials. Turkman woman standing at the entry to a grass and hide covered yurt. Collection of the Library of Congress Prints and Images File. Image in the public domain. In simple design terms, architecture adheres to the dictum that “form follows function”. Architecture’s function reflects different human needs. For example, warehouses take the shape of large squares or rectangles because they need only to enclose a space that protects and stores products and materials in the most efficient manner. A home is designed with other functions in mind, including cooking, resting, cleaning and entertaining. So, the interior design of a home includes specialized areas for these different functions. A church or school design would have their own set of spatial requirements because they provide for large groups of people at once. Architecture solves problems concerning the use of space, interior design and the landscape that surrounds it. The limitations imposed on architecture by the laws of physics are solved to a large extent by engineering. The greatest limitations on design are the physical loads exerted by a structure’s weight. Compression loads refer to vertical weight and shear loads travel at an angle or horizontally. Buildings need stable foundations and framing systems that support the spanning of open space. Traditional Methods and Materials The basic methods of building design and construction have been used for thousands of years. Stacking stones, laying brick, or lashing wood together in one form or another are still used today Introduction to Art Chapter 13: Architecture 131 in all parts of the world. But over the centuries, innovations in methods and materials have given new expression to architecture and the human footprint on the landscape. We can look to historical examples for clues that give context to different style periods. One of the earliest settlements with permanent structures was discovered at Çatalhöyük in Turkey (pictured below). The rich soil that surrounds the settlement indicates the inhabitants relied in part on farming. Dated to about 7500 BCE, the dwellings are constructed from dried mud and brick and show wooden support beams spanning the ceilings. The design of the settlement incorporates a cell-like structure of small buildings either sharing common walls or separated by a few feet. The roofs are flat and were used as pathways between buildings. Restoration of interior, Catalhoyuk, Turkey. Image licensed under Creative Commons. A significant advance came with the development of the post and lintel system. With this, a system of posts–either stone or wood – are placed at intervals and spanned by beams at the tops. The load is distributed down the posts to allow for areas of open space between them. Its earliest use is seen at Stonehenge (below), a prehistoric monument in southern England dating to about 3000 BCE. Stonehenge, Wiltshire County, England. Image: David Ball. Image licensed under Creative Commons. http://www.catalhoyuk.com/ Introduction to Art Chapter 13: Architecture 132 Post and Lintel support in contemporary use. Image by Christopher Gildow. Used with permission. A colonnade continues the post and lintel method as a series of columns and beams enveloping larger areas of space. Colonnades can be free standing or part of a larger structure. Common in Egyptian, Greek and Roman architectural design, their use creates visual rhythm and implies a sense of grandeur. The Colonnade of Amenhotep III. Luxor, Egypt. Image by Marc Ryckaert Image licensed under CC BY 3.0 Source Over time columns became categorized by the capital style at their tops. The smooth and unadorned Tuscan and fluted Doric columns give way to more elaborate styles: the scrolled Ionian and the high relief Corinthian. http://www.touregypt.net/featurestories/luxortemple4.htm https://creativecommons.org/licenses/by/3.0 https://en.wikipedia.org/wiki/Colonnade#/media/File:Luxor_Temple_R07.jpg Introduction to Art Chapter 13: Architecture 133 Greek and Roman capitals: Top row: Tuscan, Doric. Middle Row: Ionic. Bottom Row: Corinthian an d a composite Ionic Corinthian. Classical Orders, engraving from the Encyclopédie vol. 18. Public domain. The Parthenon, a Greek temple dedicated to the mythic goddess Athena, was built in the fifth century BCE in Athens and is part of a larger community of structures in the Acropolis. All are considered pinnacles of classic Greek architecture. Ionic colonnades march across all sides of the Parthenon, the outer boundary of a very ordered interior floor plan. The Parthenon, Athens, Greece. 447 BCE. Digital image by Steve Swayne and licensed under CC BY 2.0 Source http://en.wikipedia.org/wiki/Acropolis_of_Athens https://creativecommons.org/licenses/by/2.0 https://commons.wikimedia.org/wiki/File:The_Parthenon_in_Athens.jpg Introduction to Art Chapter 13: Architecture 134 Floor plan of the Parthenon. Licensed through Creative Commons. Another example of a colonnade is St. Peter’s Square in the Vatican, Rome. Gian Lorenzo Bernini, Colonnade at St. Peter’s Square, the Vatican. 1656–67. Photo by D.F. Malan. Licensed through Creative Commons. The colonnade is a common structure in our contemporary surroundings too. Parks and other public spaces use them to the same effect: providing visual and material stability in spanning areas of open space. Introduction to Art Chapter 13: Architecture 135 Contemporary colonnade. Image: Christopher Gildow. Used with permission. The development of the arch gave architecture new alternatives to post and lintel construction. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture. They supply strength and stability to walls without massive posts and beams because their construction minimizes the shear load imposed on them. This meant walls could go higher without compromising their stability and at the same time create larger areas of open space between arches. In addition, the arch gave buildings a more organic, expressive visual element. The Colosseum in Rome (below), built in the first century CE, uses repeated arches to define an imposing but decidedly airy structure. The fact that it’s still standing today is testament to the inherent strength of the arch. The Colosseum, Rome, Italy. First century CE. Photo by David Iliff. Image licensed through Creative Commons. Roman aqueducts are another example of how effectively the arch was used. Tall and graceful, the arches support themselves in a colonnade and were used to transport a network of water channels throughout ancient Rome. Roman aqueduct, c. First century CE. Image in the public domain. Introduction to Art Chapter 13: Architecture 136 From the arch came two more important developments: extending an arch in a linear direction formed a vault, encapsulating tall, narrow spaces with inverted “U” shaped ceilings. The compressive force of the vault required thick walls on each side to keep it from collapsing. Because of this, many vaults were situated underground – essentially tunnels – connecting areas of a larger building or providing covered transport of people, goods and materials throughout the city. An arch rotated on its vertical axis creates a dome, with its curving organic scoop of space reserved for the tops of the most important buildings. The Pantheon in Rome sports a dome with an oculus – a round or elliptical opening at the top, that is the massive building’s only light source. Pantheon, Rome. 126 CE. Image licensed through CC BY-SA 4.0 Pantheon (Interior) Dome of the Pantheon with oculus, Rome. 126 CE. Image licensed through CC BY 2.0 Source These elements combined to revolutionize architectural design throughout Europe and the Middle East in the form of bigger and stronger churches, mosques and even sectarian government buildings. Styles changed with technology. Romanesque architecture was popular for nearly three hundred years (800 – 1100 CE). The style is characterized by barrel or groin vault ceilings, thick walls with low exterior buttresses and squared off towers. Buildings reached a point where they struggled to support their own weight. The architectural solution to the problem was a flying buttress, an exterior load-bearing column connected to the main structure by a segmented arch or “flyer.” http://www.greatbuildings.com/buildings/Pantheon.html https://creativecommons.org/licenses/by-sa/4.0 https://creativecommons.org/licenses/by/2.0 https://commons.wikimedia.org/wiki/File:Pantheon,_Rome_2.jpg http://en.wikipedia.org/wiki/Groin_vault http://en.wikipedia.org/wiki/Groin_vault Introduction to Art Chapter 13: Architecture 137 Diagram of a flying buttress from St. Denis basilica, Paris. From the Dictionary of French Architecture from 11th to 16th Century (1856), licensed through Creative Commons. Flying buttresses became a kind of exoskeleton that transferred the heavy weight of Romanesque stone roofs through their arches and into the ground, away from the building. They became catalysts for the Gothic style based on higher, thinner walls, pointed arches, ribbed vaults, and spired towers. Also, the thinner walls of the Gothic style allowed for more stained- glass windows and interior illumination. Church of St. Denis, France. Seventh–twelfth centuries CE. Image in the public domain St. Denis basilica in France (above) is one of the first Gothic-style churches, known for its high http://en.wikipedia.org/wiki/Ribbed_vault http://en.wikipedia.org/wiki/Ribbed_vault Introduction to Art Chapter 13: Architecture 138 vaulted ceilings and extensive use of stained-glass windows. The architecture of the church became a symbol of spirituality itself: soaring heights, magnificently embellished interiors and exteriors, elaborate lighting and sheer grandeur on a massive scale. The Doges Palace in Venice, Italy (pictured below) housed the political aristocracy of the Republic of Venice for a thousand years. Built in 1309 CE, its rhythmic levels of columns and pointed arches, divided by fractals as they rise, give way to elaborate geometric patterns in the pink brick façade. The ornamental additions at the top edge reinforce the patterns below. The Doges Palace, 1309 CE, viewed from St. Mark’s Square, Venice, Italy. Image by Martti Mustonen and licensed through Creative Commons. Architecture in China and the Far East Chinese architecture refers to a style of architecture that has taken shape in East Asia over many centuries. The structural principles of traditional Chinese architecture have remained largely unchanged. Chinese architectural (and aesthetic) design is based on symmetry, a general emphasis on the horizontal and site layouts that reflect a hierarchy of importance. These considerations result in formal and stylistic differences in comparison to the West, and display alternatives in design. The Chinese have used stone, brick and wood for centuries. The Great Wall, begun in the 5th century BCE, was intended to keep nomadic invaders out of Northern China. The stone wall covers 5500 miles in its entirety. The rigid material takes on a more flexible appearance as it conforms to the contours of the landscape surrounding it. Notice in the image below the use of arches in the towers. http://en.wikipedia.org/wiki/Fractal Introduction to Art Chapter 13: Architecture 139 The Great Wall, China. Begun 5th century BCE. Stone. Image licensed through Creative Commons The Zhaozhou Bridge is an example of efficient design and flawless craftsmanship with materials. Built in 595 CE, it uses stone barrel vaults and arches to gracefully span the Xaio River. Today it is the oldest standing bridge in China. The best architectural testament to it is in a poetic inscription left on the bridge by Tang Dynasty officials seventy years after its construction and reads: This stone bridge over the Jiao River is the result of the work of the Sui engineer Li Chun. Its construction is indeed unusual, and no one knows on what principle he made it. But let us observe his marvelous use of stonework. Its convexity is so smooth, and the wedge- shaped stones fit together so perfectly... How lofty is the flying-arch! How large is the opening, yet without piers! Precise indeed are the cross-bondings and joints between the stones, masonry blocks delicately interlocking like mill wheels, or like the walls of wells; a hundred forms (organized into) one. And besides the mortar in the crevices there are slender-waist iron cramps to bind the stones together. The four small arches inserted, on either side two, break the anger of the roaring floods, and protect the bridge mightily. Such a masterwork could never have been achieved if this man had not applied his genius to the building of a work which would last for centuries to come. Needham, Joseph. The Shorter Science and Civilization in China. Cambridge University Press, 1994. ISBN 0521292867. Pages 145-147. Introduction to Art Chapter 13: Architecture 140 Li Chun, Zhaozhou Bridge, China. Stone. 595 CE. Image in the Public Domain. Though Chinese stonemason work is celebrated for its preciseness and ingenuity, the use of wood as a primary construction material is the hallmark of traditional Chinese architecture. Wooden timber, usually large trimmed logs, are used as load-bearing columns and lateral beams for framing buildings and supporting the roofs. These structural timbers are prominently displayed in finished structures. It’s not known how the ancient builders raised the huge wooden columns into position. Columns and roof sections were joined together in mortise and tenon joints without the use of glue or nails. One innovation of Chinese architecture is the cantilever – an extension or overhang without exterior bracing. This was made possible by using corbel brackets or dougong – triangular braces that help support heavy loads at the corners. The cantilever and bracket system were engineered to provide buildings with sweeping roof overhangs that commonly turn upwards at the corners. Cantilevered roofs appear to float above the main structure and reinforce the focus on a horizontal symmetry. The Hall of Supreme Harmony, located in the Forbidden City in Beijing, China exemplifies this design characteristic. http://en.wikipedia.org/wiki/Mortise_and_tenon https://en.wikipedia.org/wiki/Forbidden_City Introduction to Art Chapter 13: Architecture 141 Hall of Supreme Harmony, located in the Forbidden City, Beijing. Image licensed through Creative Commons Chinese architecture influenced all of East Asian design over hundreds of years. Similar elements and characteristics can be seen in traditional architecture from Japan, the Koreas and Vietnam. Decoration is implicit in Chinese architecture. Bright colors and intricate designs dominate many traditional buildings and enhance the look of exposed timbers. The Sagami Temple in Japan (below) uses elaborate decoration to intensify the visual effect of a complex corner structure of brackets and overhangs. Sagami Temple, detail, 745 CE, Hyogo Prefecture, Japan. Image licensed through Creative Commons https://en.wikipedia.org/wiki/Hall_of_Supreme_Harmony#/media/File:Hall_of_Supreme_Harmony_2018._Forbidden_City.jpg Introduction to Art Chapter 13: Architecture 142 Cross-Cultural Influences As overland and marine trade routes expanded between Eastern and Western civilizations so did the influence of cultural styles in architecture, religion and commerce. The most important of these passages was the Silk Road, a system of routes that developed over hundreds of years across the European and Asian continents. Along this route are buildings that show cross- cultural influences in their design. The Dome of the Rock in Jerusalem offers different cultural influences manifest in one building: a classic Greek colonnade at the main entrance, the gold dome and central turret supporting it, western style arches and colorful Islamic surface embellishment. The Dome of the Rock, on the Temple Mount, in the Old City of Jerusalem, Photo Credit Andrew Shiva, Image licensed through Creative Commons Introduction to Art Chapter 13: Architecture 143 Dome of the Rock, Jerusalem, wall detail. Image: Wayne McLean. Licensed through Creative Commons. The Louvre Palace in Paris, once the official royal residence and now one of the world’s biggest museums, had its beginnings in the 12th century but didn’t achieve its present form until recently. The building’s style is French Renaissance – marked by a formal symmetry, horizontal stability and restrained ornamentation. The Louvre executive board chose architect I. M. Pei’s glass pyramid design as the defining element for the new main entry in 1989. The choice was a great success: the pyramid further defines the public space above ground and gives natural light and a sense of openness to the underground lobby beneath it. Courtyard of the Louvre Paris, France Image licensed through Creative Commons CC BY-SA 3.0 The Industrial Revolution Beginning in the 18th century the Industrial Revolution made fundamental changes in agriculture, manufacturing, transportation and housing. Architecture changed in response to the new industrial landscape. Prior to the late 19th century, the weight of a multistory building had to be supported principally by the strength of its walls. The taller the building, the more strain this placed on the lower sections. Since there were clear engineering limits to the weight such load- bearing walls could sustain, large designs meant massively thick walls on the ground floors, and definite limits on the building’s height. https://creativecommons.org/licenses/by-sa/3.0 Introduction to Art Chapter 13: Architecture 144 Eiffel Tower Start of construction of second stage, May 1888. Image in the public domain Forged iron and milled steel began to replace wood, brick and stone as primary materials for large buildings. This change is encapsulated in the Eiffel Tower, built in 1889. Standing on four huge arched legs, the iron lattice tower rises narrowly to just over 1000 feet high. The Eiffel Tower not only became an icon for France but for industry itself – heralding a new age in materials, design and construction methods. In America, the development of cheap, versatile steel in the second half of the 19th century helped change the urban landscape. The country was in the midst of rapid social and economic growth that made for great opportunities in architectural design. A much more urbanized society was forming, and the society called out for new, larger buildings. By the middle of the 19th century downtown areas in big cities began to transform themselves with new roads and buildings to accommodate the growth. The mass production of steel was the main driving force behind the ability to build skyscrapers during the mid 1880s. Steel framing was set into foundations of reinforced concrete, concrete poured around a grid of steel rods (re-bar) or other matrices to increase tensile strength in foundations, columns and vertical slabs. Rebar being set in place for the foundation of a sewage treatment plant pump station. Source: Wikipedia and licensed through Creative Commons. The people in Midwestern America felt less social pressure to conform to the ways and styles of the architectural past. By assembling a framework of steel girders, architects and builders could suddenly create tall, slender buildings with a strong steel skeleton. The rest of the buildings elements — the walls, floors, ceilings, and windows were suspended from the load-bearing steel. This new way of constructing buildings, so-called column-frame construction, pushed them up rather than out. Building design in major urban centers now placed a premium on vertical space. Like the flying buttress of the 14th century, the steel weight-bearing frame allowed not just for taller buildings, but much larger windows, which meant more daylight reaching interior spaces. Interior walls became thinner creating more usable floor space. Because steel framing had no precedent, its use would rewrite the rules of design and Introduction to Art Chapter 13: Architecture 145 engineering of large buildings and along with them a new formal aesthetic. Architect Louis Sullivan’s twelve-story Prudential Building in Buffalo New York is an early example of column framing. Built in 1894, its tall, sleek brick veneer walls, large windows and gently curved top pediment ushers in a new century with the modern style of the skyscraper. For all of its new technology and design innovations, The Prudential Building still holds some forms from the past. A large arch hovers over the main entrance and the brick façade has extensive ornamentation. Both photos: Louis Sullivan, The Prudential Building (Also known as the Guaranty Building), 1894, Buffalo, NY. Photo: Jack E. Boucher. Collection Historic American Buildings Survey, National Archives, Library of Congress. Green Architecture In the last decade there has emerged a strong interest in developing “green” architecture – designs that incorporate ecologically and environmentally sustainable practices in site preparation, materials, energy use and waste systems. Some are simple: buildings oriented to the south or west helps with passive solar heating. Others are more complex: Solar voltaic cells on the roof to generate power to the building. Green roofs are made of sod and other organic material and act as a cooling agent and recycle rainwater too. In addition, technological innovations in lighting, heating and cooling systems have made them more efficient. A branch of the Seattle Public Library uses green design. A glass curtain wall on the north side makes use of natural lighting. Overhanging wooden roof beams shades harsh light. The whole structure is nestled under a green roof of sod and over 18,000 low water use plants. Seven skylights on the roof provide more natural lighting. Introduction to Art Chapter 13: Architecture 146 Above: Bohlin Cywinski Jackson Architects, Ballard Branch, Seattle Public Library. 2005. Image: Christopher Gildow.Used with permission. “Green” roof, Ballard branch, Seattle Public Library, with skylights. Image: Christopher Gildow. Used with permission. The California Academy of Sciences building in San Francisco harbors a living roof. Click on the hyperlink to view a short video and explore how it works. The Jean Marie Tjibaou Cultural Center on the island of New Caledonia in the South Pacific captures the prevailing winds in sail-like structures that disperse it to the building’s interior as passive ventilation. Architect Renzo Piano’s design is influenced by the indigenous tribal culture of the island. http://www.calacademy.org/academy/building/the_living_roof/ http://www.galinsky.com/buildings/tjibaou/index.htm Introduction to Art Chapter 13: Architecture 147 Renzo Piano, Tjibaou Cultural Center, New Caledonia. 1998. Detail showing wind filter. Image: Fanny Schertzer. Licensed through Creative Commons Architecture is an art form that reflects how we present ourselves across the earth’s landscape, and, like other expressive mediums, it changes with styles, technologies and cultural adaptations. Architecture not only provides worldly needs of shelter, workspace and storage but also represents human ideals in buildings like courthouses and government buildings and manifestations of the spirit in churches and cathedrals. Traditional architecture has survived over thousands of years in one form or another, while contemporary design offers new approaches in how we use materials and technology to shape the look of our environment. License and Attribution Chapter 13: Architecture Traditional Methods and Materials Architecture in China and the Far East Cross-Cultural Influences The Industrial Revolution Green Architecture