Fluent Essays

Watchmen Final PresentationsEach group of 2-3 students will choose ONE of the following topics for your examination of the graphic novel Watchmen. Use your book report presentation as a model. Your Watchmen topic presentation should be much more in depth.Using Powerpoint as a likely medium for your presentation, you should have a minimum of 15 slides, with a maximum of 20 slides.You will be arguing a point about your topic, so you must do further research on your topic, so make sure you have a clearly stated claim (thesis statement).You will need a minimum of 3 quotes from Watchmen.You will also need at least 4 quotes, a minimum of 2 quotes from each of your 2 scholarly sources—No Google sources allowed for this assignment — you must use the LRC for books and articles.All quotes should appear on presentation slides and must be properly cited according to MLA.Please use proper capitalization, spelling, and punctuation.Please do not use pictures from the movie or other Watchmen graphic stories.What I will look for when I grade:Your first slides (2 slides): Title slide with title of your presentation and names of group members Thesis Statement/Claim that specifically states what your presentation will prove about your topicContent slides 3-19: required quotes from Watchmen (minimum 3) required quotes from 2 scholarly articles found through the LRC databases, 2 quotes from each articleWorks Cited slide (1 slide): entries for Watchmen and 2 scholarly articles properly formatted in MLA 8Presentation content: that you prove/support your thesis with required quotesThis is your final for the class:Peer Evaluations of Presentations:You must respond to a minimum of 3 Watchmen presentations by answering the peer review questions with a total minimum of 300 words:1. What does the thesis/claim say the presentation will try to prove about the topic?2. In what ways was the presentation successful in proving the thesis/claim? Discuss at least two examples.3. What part(s) of the presentation were weakest and why?4. What did you learn about the book that you hadnt thought about before from the presentation?5. Please make any general comments about the presentation.NO PLAGAIRISMFor each presentation label which one you are talking about. presentaion_adil___amal___najla_1__1_.pptx new_microsoft_powerpoint_presentation_1.pptx w_p.pptx Unformatted Attachment Preview Rorschach: The Tragic Hero By: Adil Najjar Amal Dawood Najla Jbraeel Claim Rorschach, or Walter Kovacs, is that complex multi-talent. He is an expert on espionage, acrobatics, fighting and investigating. he is also a tragic hero, but one of his tragic flaws is his unwillingness to compromise in any situation as well as a genius on the tactical side. But in the end he appears to be a sociopath, which will ultimately lead to his irreversible fate of his tragic death. Rorschach did not have the obvious superpower that some Watchmen had but he possessed enormous human physical strength and a strong will that is difficult to it is owned by others as well as having good timing and accuracy. How Rorschach is represented as a tragic hero “Being Rorschach takes certain kind of insight back then, just thought I was Rorschach. Very Naive. Very young. Very soft” (Moore, 192). Here, Rorschach wants to describe himself, as if his mouthpiece says that there is no one like him. He is the one who cannot replaced by anyone and cannot be compensated. Rorschach: The Tragic Hero’s childhood Our hero lived a miserable and tragic childhood where he did not see his father because he left his mother two months before she gave birth to him. Also, he was always abused by his mother, who was involved in prostitution Therefore, he became isolated from others, and he was looking at them in a negative way. Why he see the world as black and white? The miserable childhood that full of abuse by his mother turned Kovac into the hardened extremist Rorschach, who sees the world in only two colors: black and white, unlike other people, who see him as muddled gray.“After saying, “You know what you just cost me, your ugly little bastard? I should listen to everybody else! I should have the abortion” (Dietrich). Rorschach’s Mask The Rorschach mask was a special cloth made from the dress of a woman he did not like, as she described it as ugly, so Rorschach (who worked for the tailor who sewed the dress) took it. He heated it with hot tools and transformed him into a mask that later considered his true face. This mask is a full head and face cap that consists of two pieces with a sticky liquid of black and white on the face that does not mix and never turns gray. “Why does one death matter against so many? Because there is good and evil, and evil must be punished. Even in the face of armageddon I shall not compromise in this” (Moore, 32). Rorschach did not think of conceding whatever the situation he was in. On this basis, he did not mix good and bad or between white and black. “Rorschach represents those who would see no gradations of good and evil” (Dietrich,122). He was doing everything he thought was true without thinking about the consequences. He was doing it quickly and without hesitation. “Rorschach was created entirely by his environment, and it is that environment which has driven him to the extreme behavior so he often demonstrates. At first, the psychiatrist uses Rorschach tests to examine the patient, but the reader sees what the doctor cannot; Rorschach lies in his responses” (Fishbaugh). This test shows the personality and emotional performance of each person tested. It seems that the situation in which our hero grew up greatly affected him, it gave him the strength and the will to do anything. “Rorschach himself cannot adapt and, like Ahab, falls into final ruin when he realizes his uncompromising vision must lead to global annihilation” (Dietrich, 123). Rorschach himself cant adjust and, similar to Ahab, falls into conclusive ruin when he understands his solid vision must prompt worldwide demolition He does not classify himself under any human structure or name. . “Beneath me, this awful city, it Screams like an abattoir full of Retarded children, New York” (Moore 14). “Back to Owlship, back to America, evil must be punished. People must be told” (Moore, 405). According to Rorschach, everything is wrong. This forces him to continue investigating the murder. He does not want to leave the bad without a just punishment. Last words before death: “For my own part, regret nothing. Have lived life free, free from compromise and step into the shadow now without compliant” (Moore, 336). Rorschach knew his life was in danger, but that did not deter him from seeking truth without any consideration of the risks or thinking about the consequences. This is what happened, as his life ended and faded by Dr. Manhattan Conclusion The bottom line is that Rorschach, who was born as Walter Kovacs, can be considered a tragic hero. One of his tragic flaws is that never gave up. He wanted to make the world a better place, which put his life in danger and consequently to his death. As for his mask, which symbolizes ethics and morality according to his point of view, and under which he hides his weak real personality. Works Cited Dietrich, Bryan D. “The Human Stain: Chaos and the Rage for Order in ‘Watchmen.’” Extrapolation (University of Texas at Brownsville), vol. 50, no. 1, Spring 2009, pp. 120–144. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=lkh&AN=43234083& site=ehost-live. Fishbaugh, Brent. “Moore and Gibbons’s Watchmen: Exact Personifications of Science.” Extrapolation (Kent State University Press), vol. 39, no. 3, Fall 1998, pp. 189–198. EBSCOhost, doi:10.3828/extr.1998.39.3.189. Moore, Alan, et al. Moore, Alan, et al. Watchmen. New edition., DC Comics, 2014. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=cat01154a&AN=gros. 306385&site=eds-live. Thank you for Watching our Presentation & Bic Thanks to our Professor for Her Efforts Women In Watchmen The Problematic Portrayal of Sally Jupiter, Laurie Juspeczyk, Jane Slater, Gloria Long, and Kitty Genovese By Raha Shelton Thesis Alan Moor’s Watchmen is a graphic novel that fails to meet the concept of morally-upright superhero characters due to its misrepresentation of gender through the mistreatment of women. Sally Jupiter, Laurie Juspeczyk, Jane Slater, Gloria Long, and Kitty Genovese are series of female characters created by Moore to reflect lack of female voice and regressive portrayal of female character. Moor’s contempt to these characters does not only stop at constantly sexualizing and objectifying them but also continues through increasing the emotional vulnerably of these characters in a way that reduces their power and companion for the male characters. Thus, it depicts them as dependent and subordinates by males which is obviously displayed through the male-female interactions, the romantic relationships, and the sexual violence scenes. Objectification Theory Watchmen’s main stories revolve around series of events that take place in the United State or the American environment, a sociocultural environment where society still values ideologies that justify social agreements of sexism through encouraging women’s sexualization and selfobjectification to steel women’s power and lower their opportunity of being socially equal to the male citizens. To put it in another way, the objectification theory by Fredrickson & Roberts suggests, “many women are sexually objectified and treated as an object to be valued for its use by others. [Sexual objectification] occurs when a woman’s body or body parts are singled out and separated from her as a person and she is viewed primarily as a physical object of male sexual desire” (Szymanski et al, 8). Moore and Gibbons’ Watchmen enforces this theory through insisting on drawing two main female superhero’s like Sally Jupiter, the original Silk Spectre and a retired costumed vigilant who was a part of the Minutemen group, and Laurie Juspeczyk, the second Silk Spectre and Sally’s daughter, in revealing and “oversexualized” outfits. Through out the whole novel, the excessive use of the sexualized costuming for these characters is intended to reinforce the outdated, stereotypical idea of that female’s power lies in her transformation into a sexual object in order to satisfy men’s eyes and sexual lust which in return will ensure her a powerful status in her society. Sally Jupiter Sally’s problematic portrayal ▪ Sally represented as sex object/symbol This is displayed in most of her scenes including: - Sally’s self-objectification scenes that show: - Sally’s relationship with Laurie - Sally’s choice of clothing and physical looks. - her sexual assault scene including: - Sally’s rape by Edward Blake ( The Comedian) ▪ Sally as symbol of sexism and gender bias This is shown through: - Sally’s post-rape scene with Hooded justice - Sally expressive thoughts during her interactions with Lauri Sally Jupiter as a sex object This phenomena can be epitomized in Sally’s situation through out the text. Sally’s most In patriarchal societies (like Watchmen’s), women are self- objectified because they feel that they are watched and evaluated by the eyes of males, thus “women learn to see and treat themselves as objects to be gazed at and decorated, they learn to see themselves as though from the outside” (Papadaki, 31). scenes in Watchmen are meant to show her as sexual object who is happy with her sexual objectification and her flagrant costuming which was a part of her appearance in prior role as Silk Spectre. Example 1: • Readers are first introduced to Sally Jupiter in chapter (II ) through a conversion with her daughter Laurie. The conversation implies Sally’s self-objectification through showing her embraced by her erotic, sexualized costume and revealed sexual body parts that were displayed in a photograph of her on a pornographic comics when she was much younger. Sally hands this “porno comic” to her daughter Laurie with pride; she sees her photograph as “valuable antiques” and “ kinda flattering”, while Laurie sees it “ gross” and shameful (Gibbons and Moore,46). • Sally’s choice and desire in wearing immoral costume reveal that she is self-aware of that and she wears it “for the benefit of the men around [her] and not for [herself]” (Derbyshire, 3) • “We see Sally wear her costume to advance her career” (Derbyshire, 3) • Sally’s status as sex symbol demonstrates Watchmen’s misogynistic treatment of the female superhero which illustrates how females struggle in societies ruled by males and males’ perspectives. Sally Jupiter as a sex object Example 2: • Sally’s most humiliating and objectifying moments in Watchmen are those that evoke appalling and evident scenes of sally being nearly raped by the comedian, her fellow hero who is a former member of the Minutemen group. • As Sally walks to a privet room to change her outfit after meeting with the Minutemen, Edward Blake, the comedian, follows her, and when Sally asks, “ Eddi what the hell are you doing here? He replies that her sexy clothing and showing body parts is what called him to follow her. After, He starts kneeling over her body and telling her “ you gotta to have some reason for wearing an outfit like this, huh? When Sally refuses to practice sex with him, the comedian harshly knocks Sally down the floor causing her mouth to bleed (Gibbons and Moore, 48). • This lame action towards Sally proves that Blake and Moore view Sally as unworthy person and a sexual commodity who asks for men’s attention when she sexualizes herself this way. • Moor’s constancy on emphasizing Sally’s immoral objectification has only two meanings which are disavowing Sally’s power within her group of the Minutemen and granting her a position with other minorities on the social hierarchy. • Derbyshire claims, “Sally plays a valuable role, but she is given no respect by the male figures in the group”( 6). What Derbyshire means is that although Sally forms a bond between her group and other agents, she is often degraded by her male counterparts in a way that leave her exposed to sexism. Sally as a victim of sexism “Sally is also subjected to sexism as the Silk Spectre in the way that executives and other Watchmen objectify her appearance, showing that women are bossed around and regarded as lesser than men” (Marshall, 7). Example 1: - This is shown with Hooded Justice’s (believed to be a homosexual member in the Minutemen group) problematic reaction toward the sexual violence applied by the comedian towards Sally. After Hooded Justice saves Sally from being sexually raped by the comedian, he stands by her side as she is crying and kneeling over the ground with her bleeding mouth. He tells her “ get Up… and for God’s sake cover your-self” (Gibbons and Moore, 50). - Hooded justice’s post- assault shocking reaction indicates Watchmen’s justification of the sexual violence towards Sally, Moore does not see this incident as result of Blake’s fault, rather he considers it as Sally’s fault and blames it on her sexuality and sexual appearance in a way that convinces the reader and Sally as it was her mistake. - Reflecting on this action, once can refer to Moor’s Watchmen as a field of sexist means where regressive ideas of gender bias and discrimination against women due to their sex are regenerating themselves to help Moore and Gibbon in muting the female voice. Sally as a Symbol of sexism “[Sally’s] relationship with her daughter exhibits Sally’s sexist thoughts most clearly, and shows her inhibition as a result of her sexuality” ( Marshall, 8). Example 2: • During a conversation between Laurie and Sally when we first meet Sally in chapter (II), Laurie does not seem to have stereotypical, sexist thinking like her mother because she sounds annoyed and ashamed of her mother’s sexist look that appears in a pornographic comics. When Laurie askes her mother ‘’how can you stand being degraded like this.” Sally does seem to feel sad about that, rather she unbelievingly replies, “What about your image? At least I dont sleep with an H-bomb!”(Moore and Gibbons, 50). What Sally means by H-bomb is Jon or Dr. Manhattan, who is in romantic relationship with Laurie. • Later in the novel we learn that Laurie was sexualized at early age by Sally who forced her to wear “a tight-fitting and low-cut silk-and-latex costume” in order to take her mother’s previous role as Silk Spectre and sexy superhero despite the fact that this role caused Sally to be subjected to sexism ( Marshall, 5). • As a result, once can infer that sally’s responses and actions imply sexist thoughts and social believes about the concept of femininity and how should a female act. This is being pushed by Watchmen to express gender bias and define the female superhero by her sexuality and sexual thoughts in a way that lowers her value and power in the world superheroes. Moore’s focusing on the female sexism instead of the female heroism acts demonstrates Moor’s denial to the idea of the female heroines Lauri’s problematic portrayal Although Laurie is not as feminist as her mother, and she is shown to always fight against the sick portrayal of gender roles, she is still sexualized ,devalued, and marginalized. • Scenes that portray Lauri as sex object - Laurie’s relationship with Dr. Manhattan (Jan) chapter (I, II, III, IV) - Laurie’s relationship with the second Nite owl (Dan) chapter (I, II, III, IV, VII) - Laurie’s discussions regarding her Silk Spectre Costuming • Scenes that portray Sally and Lauri’s Lack of autonomy: - Laurie’s constant connection with the male superheroes chapter (I, II, III, IV, V, VII, IX) - Laurie and sally’s conversations about men Laurie Juspeczyk chapter (II, XII) Laurie Juspeczyk as a sex object Laurie’s relationship with Dr. Manhattan (Jon) represents Laurie as a sex object • Laurie is first introduced to readers in chapter (I) as Jon’s girlfriend and a government agent who is main job includes entertaining Jon and keeping him sexually active in order to motivate him as a hero who holds the “humanity’s salvation in his hand when earth is endangered. ( Marshall 3) • All Jon and Laurie’s scenes in Watchmen demonstrate sexual meanings and desires. Moore and Gibbons keep on reinforcing Laurie’s objectification by making Jon value her as sexual object to a degree that makes Jon, who is much older than Laurie, destroy his stable marriage and form a romantic relationship with Lauri at 16 years old for she is only sexually attractive to him ( Moore and Gibbons IV, 127). Example: In chapter (IV) when Jon is on Mars, he starts imaging his post- life on earth, and when he thinks about Laurie, he only recalls his erotic, sexually arousing moments with her. Then, he says to himself, “ She’s Beautiful. After each long kiss, She plants a smaller, gentler on upon my lips, like a signature” ( Moore and Gibbons, 127). • Moore and Gibbons insistence on reiterating the same sexual moments of Jon and Laurie over and over in multiple chapters is intended to leave the reader think of Laurie as sex object who her power is never equal to Jon’s. In or words, Watchmen is telling us that Laurie’s power is in her sexuality which acts as a “bond between Jon and the Humanity” (Derbyshire, 5). Laurie Juspeczyk as a sex object Laurie’s relationship with Nite Owl (Dan) portrays Laurie as a sex object Example 1: During Laurie’s first meeting with Dan, she asks him if he remembers her skill spectre costume “with that stupid little short skirt and the neckline going down to [her] navel,” then she adds, “ God, that was dreadful.” Immediately, Dan pulls his tie, smiles sarcastically, and responds “ God, yes dread-ful” ( Moore and Gibbons, 33). - Dan’s actions here indicates that Dan is not telling the truth about Laurie’s costume. Pulling his tie tells us that he does not mean his response, but rather he sees the costume sexy and attractive. As a result, this reflects Dan’s opinion of Laurie sexual abilities and how he would see her later when she is in romantic relationship with him. Hence, to him, Laurie is just a sex symbol who can be seen in sex situations only. Example 2: In another scene after Laurie is officially in romantic relationship with Dan, an active superhero who replaced Jon, she tells him that she wore her unwanted silk spectre costume again just to help him preform sexually. She says, “I loathe that Halloween suit. Obviously, I wore it to help you” (Moore and Gibbons, 251). - Laurie’s confession here reveals that she is aware of herself being objectified by her sexualized costume, but she accepts it just to make Dan sexually happy and regain her power by him. - Again, Watchmen plays the same game to treat Laurie with regression and give her less power than Dan in order to justify her sexual objectification. Lauri’s Lack of autonomy Lauries relationships with her fellow heroes, Jon and Dan, demonstrate Lauries Lack of autonomy. Denial of autonomy is a feature of sexual objectification; Martha Nussbaum, a philosopher, defines it as “the treatment of a person as lacking in autonomy and self-determination” (Papadaki,1). Obviously, this is just a definition to the way that Watchmen treats Laurie. • Laurie is always treated as an object owned by the world of superheroes. • Through out the entire novel, it is impossibility to see Laurie existing independently without the male characters. Evidently, Once can notice this ‘’with her inability to maintain a non-romantic relationship with the male heroes” (Derbyshire, 5). Example: 1. Laurie’s connection with Jon (Laurie as Jon’s girlfriend) -In one of her interacting scenes with Dan, Laurie tells Dan, “ The only reason I’m kept around is to keep John relaxed and happy”( Moore and Gibbons, 25). This means that Laurie cannot exist in the world of superheroes without being linked to Jon, thus we see her al ... Purchase answer to see full attachment