Media text analysis - Humanities
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Name: XXXXXXXXXXXXXXXX
Student Number: XXXXXXXXXX
COM00439 – Theory in Practice: Issues in Media Studies
Assessment 2 – Media Text Analysis
The March 2014 cover of Cosmopolitan magazine arguably celebrates femineity,
Commented [A1]: femininity - spelling
encouraging confident and independent women. The media text uses imagery, text,
and colour to influence women into purchasing the magazine. However, through
semiotic analysis, I have chosen this media text due to the congested and conflicted
meanings within the codes and signs.
Commented [A2]: OK, I am interested – and will read on
to see what you do with this idea.
Robyn Lawley is a pioneer within the fashion industry, namely the first Australian
plus-size model featuring on mainstream media covers (Champ 2011; Monica 2016).
The image of Robyn shows lack of torso definition, a skin fold at the waist and a
Commented [A3]: How crazy is it that size 14 is considered
by some to be ‘plus-size’?
bulge under her right armpit, illustrating her fuller figure. However, her defined
cheek and collar bones portray her as slender. The image lacks any indication of
Robyn’s clothing size, allowing denotations to form as to how she is perceived. Her
Commented [A4]: A good comment
body is elongated through a centred medium-long shot, forming a visual path to her
Commented [A5]: excellent
face. Visual focus is drawn to lighter parts of an image, with white often conveying
innocence or virtuousness (Clarke and Costall 2008, p. 409).
Robyn is wearing a stylish, but revealing outfit, which arguably conflicts with this
connotation of innocence. Photographic images can be extremely effective at
eliciting emotional responses within the audience (Evans and Thomas 2013, p. 91),
allowing the reader a more intimate relationship with Robyn and the magazine, as
she engages the audience through direct eye contact. The serious facial expression
accords with connotations relating to weight issues, disorders and confidence within
the target audience.
Black, bold text signifies Robyn’s identity to attract fans, in addition to existing
readers. The denotations relating to the words ‘thigh gap’ perpetuate focus on
1
Commented [A6]: and, also, the serious facial expression
is a very stereotypical one for fashion models.
current trends, as the disturbing ‘thigh gap’ trend is perceived as pressuring women
and girls into pursuing unrealistic body image aspirations (Lawley 2013). Personal
Commented [A7]: good
interpretation will dictate whether positive or negative connotations are drawn,
however, by utilising the text ‘ending the ‘thigh gap’ obsession’, the author pinpoints
an underlying issue with many women striving to obtain the trendy ‘thigh gap’. The
linked use of Robyn may subvert barriers by promoting healthy body images for
women, conversely it may be detrimental for those who possess a ‘thigh gap’. The
author may unintentionally alienate this cohort, rather than highlighting the negative
effects of such trends in society.
The imagery signifies the media text as focussed on empowering women to be
confident, however this is contradictory due to adjoining disconnected text. The key
Commented [A8]: good
banner ‘start your own business’ is self-evident, but discords with Robyn’s outfit,
which is not appropriate business attire. Further, remaining signifiers are superficial,
Commented [A9]: yes
including advice on wearing your wardrobe, perfect lashes, sex tapes, unsafe sex,
thigh gaps, etc. These superficial, titillating matters are consistent with gossip
magazines and do not conform with the connotation of the key banner. Although the
banner is directed at empowering women, it conflicts with superficial and
stereotypical matters addressed in the media text, creating ambiguity for the
Commented [A10]: really good analysis XXXX
audience.
In large bold font, the words ‘go for it’ are positioned above ‘start your own
business’, contrasting effectively and standing out over Robyn’s white outfit. These
banners are closely situated, likely linked to encourage women to pursue their
desired lifestyle. However, when connected with signifiers referencing making a sex
tape and unsafe sex, negative connotations arise by suggesting women ‘go for it’.
Persuasive connotations are also formed from the signifier ‘go for it’, urging the
reader to purchase the magazine (e.g. go for it! pick me up! read me!).
The banner ‘50+ ways to wear your wardrobe differently’ suggests upcycling existing
clothing, appealing to a budget conscious audience who have limited financial
resources to purchase new clothes. This signifier projects itself by using colour and
2
Commented [A11]:
shapes to create contrast, with a dark pink circle placed behind the white text.
Creative use of shapes are necessary to communicate visual messages quickly and
directly, particularly when an audience with a short attention span is bombarded by
images. (Hashimoto and Clayton 2009, p.9).
The primary colour scheme plays into existing stereotypes, linking pink as a
‘feminine’ or ‘girly’ colour (Clarke and Costall 2008, p. 408), though arguably
supporting empowerment by suggesting women do not need to abandon femineity
Commented [A12]: great
to be successful. Bright pink is utilised to establish a link between the top and
bottom of the cover, creating a pathway. The colour scheme creates visual
relationships and interest, effectively avoiding sensory overload or confusion by
using only four colours (Hashimoto and Clayton 2009, p. 238).
The masthead is obscured, illustrating the magazine is established, demonstrating
confidence that the product will be recognised without revealing the entire
masthead. Contrast is created effectively through the bold, bright font in front of the
Commented [A13]: yes
pale background, allowing the audience to recognise this magazine from others.
By using semiotic analysis, it is evident that several congested and conflicted
meanings are formed within this media text. Positive connotations are formed
around femineity, confidence and independence among women, however, it is
evident that the media text is contradictory.
3
Commented [A14]: femininity
Reference List
Champ, N 2011, Robyn Lawley is the first Australian Plus Size Model to cover an
Australian Magazine, viewed 26 April 2017,
Clarke, T and Costall, A 2008, The emotional connotations of color: A qualitative
investigation, Color Research and Application, Vol. 33, Issue 5, viewed 26 April 2017,
http://onlinelibrary.wiley.com.ezproxy.scu.edu.au/doi/10.1002/col.20435/full
Cosmopolitan magazine, March 2014, Bauer Media Group, Australia.
Evans, P and Thomas, M 2013, Exploring the elements of design, 3rd ed, Cengage
Learning, Delmar.
Hashimoto, A and Clayton, M 2009, Visual Design Fundamentals: A Digital Approach,
3rd ed, Charles River Media/Cengage Learning, Boston.
Lawley, R 2013, Robyn Lawley: Why The Dangerous “Thigh Gap” Trend Makes Me
Mad, viewed 26 April 2017,
Monica 2016, Meet the Model Robyn Lawley: Fearless, Respected and Inspiring,
viewed 26 April 2017,
4
Appendix
Theory in Practice: Issues in Media Studies
Assignment 2 – Media Text analysis
Student Name: XXXXXXXXXXXXXX
Media text selected: Cosmopolitan magazine cover March 2014
√
√
√
√
√
√
√
750 words submitted online
submitted on time
submitted with reference list
brief synopsis of text
copy of text attached (or a link to online text)
rationale for your choice
textual analysis
Marking criteria
Fail
Pass
Quality of textual
analysis
Good
Excellent
Comments
X
Thanks, XXXXXXXXXX, for
this very well structured,
expert analysis within the
short word limit. You’ve
done very well, and have full
understanding of the
process of textual analysis,
taking a cultural studies
(contextual) approach.
Logical, clear and
substantiated comments.
And it’s great that you were
able to find the
contradictions inherent in the
cover’s meanings.
Good work on design, colour
and gender representation.
10/10
Coherency of
comments/arguments
X
10/10
Depth of research
X
10/10
Presentation skills,
spelling, grammar,
referencing skills
9/10
Additional comments:
X
Just a couple of tiny errors.
Great work XXXXXXXX – you have a flair for semiotic analysis.
Grade: High Distinction
5
6
1
COM00439 Media Text Analysis Tips
Analysis
Be clear about the task you are doing, which is a close analysis of your chosen media text.
Content
Evidence of research: demonstrate that you:- uncovered interesting and relevant published sources
- have read them critically, and used them to support your argument.
n.b. Familiarity with relevant source material is a vital aspect of any academic assignment.
Strong and coherent argument: including
- capacity to provide an informed, coherent and cogent argument
- personal response informed by supporting evidence
- a critical response demonstrating your capacity for analysis.
Presentation
Structure of presentation:
Your work should have three identifiable sections, plus bibliography/list of references.
You only need to give the bibliography and appendix a heading.
Introduction
- sets the scene, explains problem to be tackled and articulates argument.
- states your position and the main points you will develop.
Body of the assignment
- supports thesis and substantiates claims with reference to academic works
- develops thesis or argument in a logical and coherent manner
- avoids repetition and argument which is not directly relevant (you may indicate your
awareness of further sets of issues in endnotes).
Conclusion
- summarises and reasserts the validity of the central argument
- places the argument in the context of broader issues
- may also suggest further issues to consider.
Bibliography/List of References
A bibliography of all sources used in researching and composing the assignment.
This must be consistent with the referencing system used.
Appendices
- you definitely need to include the media text itself, either in full, or as a link to it
online. Your work will not be graded without this.
- if you wish, you may include other media examples and additional research
information. If you take up this option, then it is wise to refer to material used in
appendices in the body of the project
.
2
Effective and correct use of footnotes/citations
Accurate referencing is essential. All sources must be acknowledged.
Whichever method is employed, it must be used correctly and consistently.
You MUST NOT present other people’s work as your own – paraphrase what they say
(i.e. write in your own words) and credit their ideas, or quote them in clearly marked
quotations (eg with quote marks, or in italics, and indented, if over 10 or so words
long, according to your chosen referencing system’s style guide). Plagiarism is a very
serious offence and will be dealt with according to university policy.
Standard of English expression
Express as effectively and clearly as possible, without discriminatory language.
You can write in the first person (as in ‘the reason I chose this text is …’ if you choose.
Spelling, punctuation and grammar are important for comprehension.
Don’t bury your ideas under careless expression - they may never see the light of day!
Use spell and grammar checking programs to help you to do a thorough final edit
before you hand the assignment in. And make sure you do a proper proof-read yourself
as well!
Assignment Tips
The following points are some basic guidelines for composting assignments:
1.
Read the question thoroughly, then read it again twice as hard. Pick out the key words
(think about definitions) and try to establish relationships between these key words,
which address the question asked. Look at the criteria sheet for the assignment and
address these points.
2.
Do the requisite amount of research: read the study guide and the relevant suggested
readings, look at other sources of information that relate to the question. Consult your
own notes and discuss issues with a friend or fellow students if possible.
3.
Write the first draft of your assignment keeping in mind your argument and the sequence
in which it takes place. This is where detail and examples come into play.
4.
Make sure you are familiar with your chosen system of citation and referencing. The
main rules are: to provide sufficient information so that others can look up your sources;
and to be consistent throughout your work in the details you provide and how you
provide them.
5.
Before handing in the polished version of your work, check the grammar and spelling.
6.
Keep to the word limit (within ten percent more or less than the required word limit is
acceptable).
7.
Keep in mind that assignments submitted after the due date, without an extension that
you negotiate before the due date, will be penalised.
The purpose of this assignment is to assess student media literacy and ability to perform a
close textual analysis. You will apply a basic semiotic analysis to a media text of your choice, to
explore how meanings are made and interpreted.
- Settle on a specific media text
- Write a brief synopsis of your chosen text – i.e. describe it
- Give a rationale for your choice of text. What drew you to this particular
media example?
- Write a close textual analysis of your text: here are some pointers:
- ◦ Identify the main signifiers in your text. What do they signify?
- ◦ Roland Barthes outlined divergent orders of signification, the first being
denotation and the second connotation. Discuss with regard to your
selected text.
- ◦ Which meanings do you think are presented as dominant?
- ◦ How does it try to position you as a reader?
- ◦ Can you identify any ambiguities in the text where meanings could be
disputed and negotiated?
- As with all academic assignments, make ensure you include a reference list
with your submission.
- Check your spelling/grammar etc. – make sure your responses read
coherently.
- Please include a copy of your chosen media text as an appendix to your
assignment; for instance, a jpeg attachment of a print media advertisement.
Be aware of the marking criteria as you approach your assignment
tasks. The
Criteria for thisMedia Text Analysis sentation
Pre
are
state
d below
.
Media Text Analysis Presentation Marking Criteria
- Coherency of comments/arguments
- Presentation Skills
- Depth of research (set readings and beyond!)
- Quality of Textual Analysis
- Submission of reference list.
...
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