Cardinal Stritch University Types of Supervisors and Internal Environment Essay - Humanities
assignment sample is provided in the attachments You are required to submit the FINAL copy of this assignment, but you may first submit an optional DRAFT. This will allow you to receive qualitative feedback that can inform your revision. You should always avoid focusing solely on the grader’s DRAFT feedback; use the feedback as a supplement to the course lessons and your own revision ideas. Always expect to revise beyond what the DRAFT grader specifically notes. The Classification assignments requires you to organize a topic into categories and then provide examples of what characteristics fit into each category. You have several options for this assignment, so you will need to choose one: Classify the types of writers Classify the types of bosses/supervisors Classify the types of monsters Classify the types of characters Classify the types of heroes Classify the types of dance Classify the types of teachers Classify the types of roommates Classify the types of dates Classify the types of mothers Keep in mind that these are general topics. You may need to further subdivide these general topics in order to have a specific enough topic for your essay. For instance, dance may be divided into cultural dances, for one, and then even further into Mexican dances. Famous guitarists could be divided into rock guitarists, and then further into bass guitarists. Regardless of the topic you choose, you will need to identify its classifications and provide enough evidence to prove that your classifications are correct. This evidence (details, reasons, and/or examples) needs to be corroborated by at least one other credible1 source. Failure to use a credible source for support will constitute a point deduction. This resource from the course will help you understand more about evaluating sources. Properly cite others’ ideas and language according to MLA guidelines (this resource from the course will help). If you use any exact words from your source, you must put those exact words in quotation marks and included a parenthetical citation. If you put source material into your own words (i.e., if you paraphrase), you will not need quotation marks, but you will need a parenthetical citation. Make sure that your parenthetical citations correspond to the works cited entry. In addition to the evidence, you must explain how the evidence you present proves that your classifications are correct. 1 Please note: Basic dictionary sources, user-edited websites (e.g., Wikipedia, eHow, etc.), and sites that house databases of quotations are not considered “credible” sources. You will lose points in the Research category of the rubric if your sources aren’t credible. To make your classifications clear, examine only one classification per body paragraph. The body of the essay should follow a logical progression. You may choose to organize your essay based on any one of the following: Move from the least important classification to the most important classification Move from the most important classification to the least important classification Move from the largest category to the smallest one Move from the smallest category to the largest one If the classifications occur in a set space, move from left to right OR right to left If the classifications occur in a set space, move from back to front OR front to back As with all college writing, your essay should have a strong thesis statement in addition to an introduction, body, and conclusion. Here is an idea of how you might introduce your essay if you were classifying types of sports fans2: On a clear, warm evening in June, thousands of Americans might be getting ready to watch a baseball game. These fans may stop by concessions to grab a hot dog and cold drink before ambling to their seats, and they might be in the grandest arena or in the smallest of baseball parks. But regardless of location, any given baseball game will find among its fans the following three types: the Fair-weather Fan, the Diehard Fan, and the Newbie. Tip: Notice how this introduction provides vivid description of the scene while preparing the reader for what the main focus will be. As seen in the example above, you might use this as a simple guideline in crafting your thesis: The three most ubiquitous baseball fans are the (first fan type), the (second fan type), and (third fan type). The guidelines for this assignment are as follows: Length: This assignment should be at least 500 words. Header: Include a header in the upper left-hand corner of your writing assignment with the following information: Your first and last name Course Title (Composition II) Assignment name (Classification Essay) Current Date 2 NOTE: Because this topic is used here as an example, you should not choose this as your own topic. Format: MLA-style source documentation and Works Cited3 Your last name and page number in the upper-right corner of each page Double-spacing throughout Standard font (TimesNewRoman, Calibri) Title, centered after heading 1” margins on all sides Save the file using one of the following extensions: .docx, .doc, .rtf, or .txt Underline your thesis statement in the introductory paragraph.
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Last Name 1
First Name Last Name
Composition II
Classification Essay
19 October 2015
The Three Categories of Orchestral Instruments
The orchestra is a large, organized group of musicians who perform a broad variety of
musical works, such as symphonies, concertos, or more recently, soundtracks. For someone who
is not well acquainted with orchestral instruments, it can be confusing to attend an orchestra
concert and see so many musicians playing on various instruments across the stage. Paul
Mathews, Associate Dean for Academic Affairs at Johns Hopkins’ Peabody Conservatory, writes
that the orchestra can be viewed as a “human organism,” so that “the strings form the nervous
system…the brass and woodwind form the blood system under its double classification of
arteries and veins, and finally the percussion instruments form the lymphatic system” (93). Of
the several ways orchestral instruments could be classified, arguably the clearest divisions fall
into three groups by evaluation of melodic importance and instrumental similarity: strings, brass
and woodwinds, and percussion.
Stringed instruments form the largest and most important instrument group within the
orchestra—“more than half,” according to David Ewen (381). The string sections are truly the
core of the orchestra and tend to carry the melodic line most frequently. In fact, some musical
pieces are written only for string orchestra, meaning only these instruments are used. A viewer
will recognize them surrounding the conductor in a semi-circle arrangement on stage, including
violins, violas, cellos, double basses, and harps. All of these instruments possess fine strings
stretched over or across wood to create sound, giving them a striking similarity to the range and
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inflections of the human voice, and extraordinary ability to communicate emotion. A total of four
strings are used on violins, violas, cellos, and double basses, with each respective instrument
possessing a lower note range than the one before. A separate part of the instrument, called the
bow, is made of wood with horse hair stretched across it. This is artfully drawn over the
instrument’s strings to create music. The harp is “the only instrument among the strings that
differs radically in shape, and in number of strings.” It utilizes around forty-six strings, plucked
or swept over to create intricate tones (Ewen 382). The emotional power and large presence that
the string section possesses give a solid core to the modern orchestra.
After the strings, brass and woodwinds form the second most important group of
orchestral instruments. Although they do not possess the all-important melody line as frequently
as the strings, they still wield great influence over tone and mood. Similar to each other, yet still
different, they are both played by forcing air through brass or wooden apparatuses, but are placed
in two distinct, neighboring sections within the orchestra. Stops, placed over air holes on the
instruments, such as on the trumpet or flute, help create the different pitches of sound. The brass
section, including trumpets, French horns, trombones, and tubas, is “the most brilliant in
resonance,” since the air forced through these metal instruments creates great volume (Ewen
383). Trumpets blare fanfares and French horns broadcast heroic themes, which soar high above
the lush strings. But the eight woodwind instruments bring a contemplative variance of sound
that comes with lower volume capacity, like the clarinet airing a flowing melody line that passes
between the woodwinds and strings. Together, the brass and woodwind sections create
dimension and give strength of sound volume to the orchestra.
Although the strings, brass, and woodwinds may enjoy higher importance and frequent
possession of the melody line, the percussion instruments form an impressive group of odd-
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shaped mechanisms. This “loudest section of the orchestra,” David Ewen writes, “gives stress to
the rhythm and plays an important role in building up powerful sonorous effects and climaxes”
(383). Their infrequent possession of the melody line makes them the least influential of the
three groups. Nearly all are played by some kind of striking or hitting of the instrument, and
nearly half utilize metallic tones. The percussion section boasts a large diversity in style, shape,
and number of instruments, ranging from huge gongs producing ominous crashes to small
triangles and chimes boasting delicate, high-pitched metallic tones. Even pianos are considered
part of the percussion section when they are called for in specific orchestral pieces. It is common
for some percussion instruments to vary in number at any given orchestra concert, since not all
pieces require the same ones. Instruments in this section are less likely to be spotlighted often or
for long lengths of time, since their main role is normally rhythm and dramatic effects. However,
instruments such as the xylophone or marimba may take up the melody occasionally. With its
wide variety of instruments, the percussion section unites to provide rhythmic stability and extra
flashes of flare and power that enhance the orchestra’s performance.
In summary, an orchestra creates masterful sounds with the many and diverse instruments
it employs. Strings form the heart of the orchestra with lush tones from vibrating strings and their
emotional differentiation. Brass and woodwinds bring height of sound and variance of color by
utilizing air and stops. Finally, percussion instruments give a foundation of rhythm and shape to
the orchestra’s sound through the striking of objects. Put together, the three classifications of
orchestral instruments form a powerful musical force, enthralling the novice as well as the most
experienced listener.
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Works Cited
Ewen, David. The Home Book of Musical Knowledge. Englewood Cliffs: Prentice Hall, 1954.
Print.
Mathews, Paul. Orchestration: An Anthology of Writings. Google Books. London: Routledge,
2006. Web. 16 Oct. 2015.
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